Acoustic Sounds

February 8, 2012 § Leave a Comment

Acoustic Sounds is an all encompassing company that specializes in the sale of vinyl albums, and a whole plethora of other music related services. I read on Facebook how they are celebrating their 25th anniversary this year. I have to say that I had a rather unpleasant experience with them late last year. While Christmas shopping I stumbled upon their site, and low and behold they had two albums on vinyl that I was looking to purchase, Foo Fighter’s The Colour And The Shape, and David Lee Roth’s Eat Em And Smile. So I placed my order, it totaled at the time $65.

What I found was that the company offers the worst customer service I have ever encountered in my close to 20 years of being an internet consumer. After making my purchase I was sent an e-mail stating that due to my geographic location I would have to pay what I feel to be an extremely high shipping fee, $43. To be honest why would I pay a shipping fee that cost more then each of the albums on their own? Now I have mention that I started buying vinyl for the first time in 20 years after picking up Angelus Apatrida’s Clockwork at a show late last year. The floodgates opened and I started purchasing all types of albums, Mastodon, Metallica, Black Sabbath, Iron Maiden, Jane’s Addiciton, etc. Albums or boxed sets that have recently come out, or been reissued, and that I would have never purchased on vinyl back in the day. These orders have come from Germany, Japan, the UK, and the US, no other site has charged me even half of that in shipping.

So I left several messages, (I actually have a Vonage number here in Spain, and left a New Jersey number for them to call), asking if someone could call me to further discuss the shipping costs. I heard nothing back from them. A few weeks later I received an e-mail from a customer service rep saying that unless I paid these fees, the order would be cancelled. So again, I wrote this person twice, and receive an e-mail stating that my order was canceled! I called again, left another message, and again no answer.

So what did I do? I ended up purchasing these two albums on another site that offered them at a lower cost, and what a novelty $5 shipping!

The music industry is in down turn, and although I’m sure Acoustic Sounds has their niche customers, and possibly received a swell in business these last few years due to vinyl becoming popular again, but why not respond? Sure, what I was purchasing wasn’t going to put anyone through college, or help someone with their early retirement, but I’m a customer none the less, one that purchased 45 vinyls in the last month and a half. If nothing else, please follow up with people when they have a question or a concern regarding the products or services you offer, they are keeping you in business, and allowing you to celebrate your 25th anniversary. Also, be more upfront with shipping costs when customers are making a purchase, don’t bamboozle people with an e-mail out of left field with additional costs. Had I of seen these charges I would not have wasted my time.

With so many music stores (yes I know, they’re more than a music store) going out of business, you would think that more would be done to care for the business Acoustic Sounds has. Unfortunately, a lot of companies don’t tend to worry about things until it is too late. In the meantime everything is peachy, or “eh it’s just one customer” or “who cares, he’s overseas”, or whatever excuse was used when they chose not to follow up with me. Unfortunately, a lot of these companies don’t wake up until the carpet has long been pulled out from under their feet, and at that time it was everyone’s fault but their own.

Number One Low

February 3, 2011 § 1 Comment

Over the course of the last few weeks we’ve heard about Cake coming in at number 1 on the Billboard charts after only selling 44,000 copies of their latest album. The day after it became official Mark Strigl sent an e-mail around regarding this very point, and I subsequently heard this mentioned during the Wall Street Journal Podcast, and American Public Media’s Market Place Podcast. A lot of good points where mentioned during both of these shows (which I’ll mention later on in this post). That said, I want to also bring up another point that Orgen, lead singer of Spanish black metal band Bittencross and staff writer for Fusion Sonica brought up during his debut article for his column Desde Las Sombras, or From The Shadows.

He basically mentions that the accessibility brought on by the internet has hindered the music industry more than helped. He alludes to the fact that when he grew up albums where harder to come by, as a result you got together with your buddies, and sat there for hours listening to music, before spending an additional bunch of hours discussing groups like Iron Maiden, Judas Priest, etc.. Due to the accessibility provided by the net you have a boat load of legal and illegal option where you can basically listen to anything you want, when you want. During the Market Place Podcast the reporter mentions how listeners can go to Spotify, LastFM, MySpace, Facebook, YouTube, etc. and listen to what they want on demand. He also mentions how illegal downloading still exists, but that these services/sites have essentially trumped the majority of illegal downloading sites, where people are able to listen to their favorite artists without worrying about any legal ramifications.

This brings me back to a conversation I had with Savage Messiah’s lead singer Dave Silver, who mentioned this to me last year after catching them as part of Killfest 2010 in Europe. He mentioned how most of their new fans had found out about them via MySpace, and the majority of them where satisfied in listening to their songs via this specific social network as opposed to purchasing a higher quality MP3 or CD.

So taking into consideration these points, I could honestly see that it’s a little of everything. It’s difficult to compete with something that is free. A lot of people were counting on the Guitar Hero/Rock Band generation (and maybe it’s early to pick up the seeds both of these games have planted), and although this has given a big boost to bands that are involved in both games, how has this ultimately affected album sales? Did releasing Metallica’s Death Magnetic, or Guns N Roses Chinese Democracy beforehand via these games really impact sales of these albums?

The ultimate question is this, is the new generation of listeners, which is expecting to have everything serviced to them, when and how they want it going to convert over to the diehard fan base that actually supports and keeps bands alive? Is the passion really gone as Orgen alluded to? How does today’s generation keep bands afloat?

As a result, have we seen the end of big bands like Metallica? Or should I say, should we stop looking for the new Metallica? If they were to start today, they obviously wouldn’t sell as much as they did during the 80s. Would they have survived if Kill Em All was released in 2008 and not 1983? Are any bands that came out in the latter half of the past decade stable enough to be considered the next big thing?

I realize these are a lot of questions, and most will probably remain unanswered for the time being. But let me know what you think.

-VMR

My Albums Of The Year

December 30, 2010 § Leave a Comment

For what it is worth, these are the albums I felt where the best of 2010:

Metal / Hard Rock / Punk / Hardcore (Top 10 Only Counted):

1. Ihsahn – After
2. Filter – The Trouble With Angels
3. Monster Magnet – Mastermind
4. Overkill – Ironbound
5. Killing Joke – Absolute Dissent
6. Accept – Blood Of Nations
7. Danzig – Deth Red Sabaoth
8. Witchery – Witch Krieg
9. Armored Saint – La Raza
10. Ratt – Infestation
11. Charred Walls Of The Damned – Charred Walls Of The Damned
12. White Wizzard – Over The Top
13. Holy Grail – Crisis In Utopia
14. Sick Of It All – Based On A True Story
15. Bruce Kulick – BK3
16. Mose Gianticus – Gift Horse
17. In This Moment – Star-Crossed Wasteland
18. Iron Maiden – Final Frontier
19. Fear Factory – Mechanize
20. Y & T – Facemelter

Non-Metal (Pop/Indie/Rap, etc.)

1. Christina Aguilera – Bionic
2. Duran Duran – All You Need Is Now
3. The Dead Weather – Sea Of Cowards
4. Combichrist – Making Monsters
5. Cee Lo Green – Lady Killer

Greatest Hits / Live Album (Only The First Album Counted)

1. Dio – Live At Donnington
2. Soundgarden – Telephantasm
3. Various – Big 4
4. Heaven & Hell – Neon Knights
5. Meshuggah – Alive

Reissue Of The Year (Only The First Album Counted)

1. Black Sabbath – The Eternal Idol
2. Nine Inch Nails – Pretty Hate Machine
3. Pantera – Cowboys From Hell
4. Judas Priest – British Steel
5. Control Denied – The Fragile Art Of Existence

Spanish Albums Of The Year (Only The First Five Albums Counted)

1. Emboque – Voy A Por Ti
2. Bittencross – ….In Honour
3. Khael – Dualidad
4. Marlenne – Kailash
5. Cuming Soon – Welcome To The Magic Theater
6. She Lies – Seeds
7. Storms To Come – A Modern Approach To Middle-Class Failures / Frustrations
8. Nikaia – Dstructivismo
9. Face The Void – I Have Betrayed Me
10. Angelus Apatrida – Clock Work

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